Editing is where the final draft of the story is written—and shaping images into narrative is where I thrive. With over a decade of experience in the edit bay, I’ve cut everything from feature films and shorts to music videos and commercials, always with one goal: to serve the story with precision, emotion, and rhythm.

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If the script is the blueprint, then editing is the architecture of the finished film. My approach is intuitive yet deliberate—rooted in what each scene needs, and what the overall project is trying to say. I’m drawn to unconventional choices that break from formula and give directors and producers something bold, fresh, and unexpected—but always grounded in the director’s vision.

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Every project is a new language. Genre, pacing, tone—all are tools I recalibrate with fresh eyes for each story. I edit on my own professional suite using a variety of NLE platforms including Avid Media Composer and Final Cut Pro X (preferred), along with DaVinci Resolve and Adobe Premiere Pro.

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Beyond picture editing, I also handle color correction, grading and sound editing, ensuring a cohesive post-production workflow from cut to finish.